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Two or three years ago I called upon you with the purpose of determining if any sharesin the Chester Cliffs Club property were for sale.1 Tempus has fugitted, as is ists way, and I am now more imminently on the point of getting me a plot of ground than I was then.2 Therefore I am writing you by way ofmaking a final canvass of the Chester possibilities before I turn my efforts away finally to other prospects.
I do not suppose that either you or Helen3 are in the market, but it occurred to me that the owner of the onetime Miller,4 then Counts,5 now ??? cottage—which you aptly term "the stone abortion"—might be, by some chance.6 If you can, I would appreciate your giving me the name and ddaddress of that party that I may approach him or her.
My real desire is not for anybody's cottage, but for a piece of unencumbered ground upon which I may look forward to erecting something to my own taste. Accordingly, if the owner of the stone abortion has only one share, am I right in assuming that it confers the right to build only on the ground where the cottage now stands?
May I hope to hear frroom you in the nerar future? You can reach me by phone, if you prefer, during the day at PRospect 0909; in the evening at ENdicott 9456.
P.S. I enjoyed your article in "The Colophon," now some months since.7
Correspondent: Edmund Vance "Buck" Cooke, Jr. (1905–1976) was a visual artist who worked at the Cleveland Museum of Natural History in the 1930s and was interested in joining the Chester Cliffs Club to move to the countryside. In 1939 he moved to a farm near Peninsula in the Cuyahoga Valley with his family. His father, Edmund Vance "Buck" Cooke (1866–1932) was a well-known Cleveland poet and, like Chesnutt and Dickerson Donahey, a member of the Tresart Club that was founded around the same time as the Chester Cliffs Club.