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                <title level="m" type="main">Charles W. Chesnutt to Walter White, 1 March 1930</title>
                <author sameAs="#cwc">Charles W. Chesnutt</author>
                <principal>Stephanie Browner</principal> 
                <principal>Kenneth M. Price</principal>
                <principal>Matt Cohen</principal>
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                    <persName xml:id="bs">Swift, Bianca</persName>
                    <persName xml:id="csm">Matheis, Caitlin S.</persName>
                    <persName xml:id="slg">Gilmore, Samantha</persName>
                    <persName xml:id="lkw">Weakly, Laura K.</persName>
                    <persName xml:id="km">McMullen, Kevin</persName>
                    <persName xml:id="bb">Barney, Brett</persName>
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                <sponsor>Center for Digital Research in the Humanities, University of
                    Nebraska-Lincoln</sponsor>
                <sponsor>The New School</sponsor>
                <funder>University of Nebraska-Lincoln UCARE Program</funder>
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                <edition>
                    <date>2022</date>
                </edition>
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                <distributor>The Charles W. Chesnutt Archive</distributor>
                <address>
                    <addrLine>Center for Digital Research in the Humanities</addrLine>
                    <addrLine>319 Love Library</addrLine>
                    <addrLine>University of Nebraska-Lincoln</addrLine>
                    <addrLine>P.O. Box 884100</addrLine>
                    <addrLine>Lincoln, NE 68588-4100</addrLine>
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        <licence>https://creativecommons.org/licenses/by-nc-sa/4.0/</licence>
        <p>The base text of the original item is in the public domain. The text encoding and editorial notes were created and/or prepared by the <hi rend="italic">Charles W. Chesnutt Archive</hi> and are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-sa/4.0/">Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License</ref> (CC BY-NC-SA 4.0). Any reuse of the material should credit the <hi rend="italic">Charles W. Chesnutt Archive</hi>.</p> 
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                    <author sameAs="#cwc"/>
                    <title>Charles W. Chesnutt to Walter White, 1 March 1930</title>                  
                    <date cert="high" when="1930-03-01" xml:id="ccda.corr00068.date1">March 1, 1930</date>                 
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                        <repository>Beinecke Rare Book and Manuscript Library, Yale University</repository>
                        <collection>Carl Van Vechten Papers Relating to African American Arts and Letters</collection>
                        <idno type="callNumber">JWJ MSS 1050, Series I</idno>
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                    <term></term>
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                    <term></term>
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                <keywords scheme="original" n="people">
                    <term>Chamberlain, John</term>
                    <term>Van Vechten, Carl</term>
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                    <term></term>
                </keywords>
                <keywords scheme="original" n="works">
                    <term>Conjure Woman</term>
                    <term>House Behind the Cedars</term>
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                    <persName nymRef="http://viaf.org/viaf/22198527/" xml:id="cwc">Chesnutt, Charles W. (Waddell)</persName>
                    <placeName ref="https://www.geonames.org/5150529/">Cleveland, Ohio</placeName>
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                    <persName ref="n.per00048" nymRef="http://viaf.org/viaf/66591441/">White, Walter</persName>
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        <revisionDesc>
            <change when="2023-01-19"><name sameAs="#km">Kevin McMullen</name> made a few more corrections</change>
            <change when="2023-01-12"><name sameAs="#bb">Brett Barney</name> instituted Stephanie's proofing corrections</change>
            <change when="2022-12-07"><name sameAs="#km">Kevin McMullen</name>deleted extra bracket in signature</change>
            <change when="2022-12-05"><name sameAs="#lkw">Laura K. Weakly</name>review</change>
            <change when="2022-04-15"><name sameAs="#slg">Samantha Gilmore</name>added ptrs</change>
            <change when="2022-04-07"><name sameAs="#slg">Samantha Gilmore</name>annotated</change>
            <change when="2022-02-07"><name sameAs="#csm">Caitlin Matheis</name>proofed</change>
            <change when="2022-01-26"><name sameAs="#bs">Bianca Swift</name>proofing and encoding</change>
            <change when="2020-03-13"><name sameAs="#bs">Bianca Swift</name>Transcribing Encoding</change>
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            <opener>

                    <handShift new="#h03"/>
                <address>
                    <addrLine>CHAS. W. CHESNUTT</addrLine>
                    <addrLine>HELEN C. MOORE</addrLine>
                </address>
              
                    <address>
                        <addrLine>CHESNUTT &#38; MOORE</addrLine>
                        <addrLine>SHORTHAND REPORTERS</addrLine>
                        <addrLine>1646 UNION TRUST BLDG.</addrLine>
                        <addrLine>CLEVELAND</addrLine>
                    </address>
                    <handShift new="#h01"/>
                    <date when="1930-03-01">March 1, 1930</date>
                
                <address>
                    <addrLine>Mr. Walter F. White,</addrLine>
                    <addrLine>90 Edgecombe Avenue,</addrLine>
                    <addrLine>New York, N. Y.</addrLine>
                </address>
                <salute>My dear Walter:</salute>
            </opener>
                <p>I see from a newspaper item that you have been raised to the rank of the immortals, like Rosseau, Voltaire, Boccaccio, Theodore <choice><sic>Dreisser</sic><corr resp="#csm">Dreiser</corr></choice> and others too numerous to mention, by having a couple of your books banned by the Boston censors.<ref target="n.lit00095"/> If this statement is true, I hope it will make them sell better than ever.</p>
           
                <p>I presume you read the article in the January Bookman by Mr. John Chamberlain, on Negro writers. I don't know the gentleman's standing as a critic, though I understand he is on the staff of the New York Times Literary Review, but I am glad to see that he gives you and me perhaps the highest place among the colored writers.<ref target="n.lit00094"/></p>
            
                <p>I am awfully sorry that Houghton Mifflin Company stopped the publication of my books, as the "uncovering" of them and of me by Carl Van Vechten<ref target="n.per00049"/> and others following him might have resulted in the sale of a good many more of them. The new "<ref target="ccda.works00117">Conjure Woman</ref>" has done very well indeed, and, according to the publishers, has quite justified its reissue, and I hope to persuade them to bring out a new edition of "<ref target="ccda.works00001">The House Behind the Cedars</ref>".<ref target="n.lit00096"/></p>
            
                <p>Give my regards to Mrs. White, whom I am still hoping to meet. I should probably have been in New York this winter, but the decline in the stock market knocked off a large part of the value of my small holdings, and I have felt too poor to spend the money.<ref target="n.his00027"/> However, I will get around to it some time,</p>
            
            <closer>
                <salute>Cordially yours,</salute>
                <handShift new="#h02"/>
                <signed>Chas. W. Chesnutt</signed>
                <handShift new="#h01"/>
              <signed>CWC:ES</signed>

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